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September 8, 2024

Tree of Life – Work in Progress, What’s Needed

• Bini – Phoenix (female face) (TBD what to do)
• Vince – Jaguar (male face) (TBD what to do)
• √ Valko (Vince’s dad) – Wolf with the guitar singing
• √ Vio (Vince’s mom) – Fox talking on the phone
• Nesi (Bini’s mom) – Octopus multitasking (TBD what to do)
• √ Stanimir (Bini’s dad) – Flamingo (TBD what to do)
• √ Neo (3 year old son) – Dragon (toothless from how to train your dragon) (TBD what to do)
• √ Liv (5 year old daughter) – Lion with wings (TBD what to do)
• Aya (little girl baby in the making) – little baby in Bini’s womb (TBD what to do)
• Dobri (Bini’s grandpa) – Yak (TBD what to do)
• √ Stefan (Bini’s grandpa) – okapi reading the news paper
• √ Vitka (Bini’s grandma) – Hummingbird carrying a tobacco leaf in the beak
• √ Gana (Bini’s grandma) – Bear cooking ayahuasca, this is where the vine will originate from to go to our hands
• √ Wenzi (Vince’s grandpa) – Peacock showing off his feathers with post stamps under his feet (stepping on a couple)
• √ Vyarka (Vince’s grandma) – Owl playing the violin (or holding it)
• √ Dimo (Vince’s grandpa) – rhino building a bamboo hut with his front hands
• √ Nedyalka (Vince’s grandma) – sea turtle in the water

July 2, 2024

Dad – 3 Years Gone

Hey Dad,

Yeah, I know you’ve been gone much longer than that — like some 30+ years. What I mean is that today, not related to anyone’s birthday or a reminder of an anniversary, but just randomly, I realized that I’ve spent 3 more years on my lifeline than you did. 

I also realized  that I don’t have a feeling of pride, or arrogance or whatever that my lifetime walking breathing, thinking, has been longer than yours. All I would say is that I hope that my path has been worth it, to me, that I’ve been better at knowing myself than I was a year ago, two years ago, three years ago.

I can see the pressure of needing to fit into an over-arching belief system to feel some sense of support or connection. I have bucked that family (mostly) trend time and time again, and gone off on my own, here and there for a short term or a long term, following what I believed my heart wanted, on deeper levels that I wasn’t really conscious of but steered my ship true.

I see the young boy Harry in so much that made up who you were. That child had been frightened by the insanity of living with a World War I veteran father who dealt with the insanity of being in that war. That child, a part of you, as a father, gave up and was never really allowed or given that permission live fully in yourself. And young Harry wouldn’t have been that frightened bully who never learned emotional literacy and tried to pass that same lack to me. I wish that much, much more than half of our relationship could have been that.

You taught me that fear and tried to make me bend to it, because it was familiar to you. And so I see how much we are alike and I wonder if you had not met Mom, and wandered off to follow the intuitive heart, if your life would be something more like the way I live. Yeah, you could have more structure, but it is hard to have structure when the heart has nothing to ground it. I am looking for that more within now and letting go of the endless repetition of  doubts and fears in the echo chamber to be an artist. 

May I always give to another words of confidence to help them on their life path to develop their own agency, authenticity and Awareness-of-Self.

That’s enough. I don’t want this to be a novel just an expression of a mood/thought that happened today.

June 23, 2024

Medicine-Sprit Animals

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Aloha Vince,

An update to stay in touch. It’s been a busy week. I’ve done enough mushrooms most of the week to keep me lucid and help to work out the composition and characters. This is fun and it is difficult to put all the pieces together. 

I put together this doc to address some of the deeper meanings of Spirit-Medicine Animals I have and what that term means for me. Looking for feedback from you regarding this.

I have a rough layout of the tree and the characters placed on the tree.

What is a Medicine-Spirit Animal?

In the early 1980s I spent time with Hyemehosts (“Chuck” as we called him) Storm. Storm was a half-Crow, half-German Medicine Man who wrote a book called “7 Arrows” about native American teaching stories and had a small community in Northern California where he taught the Native American Medicine Wheel. I met him through a friend who I worked with when I was at the animation studio Ruby-Spears Productions where we made mostly forgettable Saturday morning animation cartoons.

One of the services a Medicine Man provides is to tell you what your medicine animal is when you ask. And when you want that, you give the Medicine Man a gift of pouch tobacco. In this tradition, your medicine animal is the animal where you had the highest level of consciousness in a previous life. It also has attributes of your personality in this life.

Before I had the time to ask, the other guys in our circle made fun of me: Because I couldn’t see very well, maybe I was a mole living underground. Maybe I was a ringworm. On and on.

So the day came and a late evening in his tipi I met with him and offered him the gift of tobacco. At that time he was almost completely blind from cataracts. He took a drag off his cigarette, thought about it in silence for a few minutes and then told me my animal was a Bobcat.

He described to me the attributes of a Bobcat. When the Spirits looked at the Bobcat, it had feet bigger that what you’d expect from an animal that size. It had a long tail and with its large feet was always in balance. So the Spirits ‘bobbed’ the tail of the cat so that is constantly searching for balance.

The Bobcat doesn’t learn by looking directly at the light, it sees much better by reflection. It lives in the cold climate of Canada through the American Southwest down to the heat of Mexico. It is also very flexible with diet. It can eat a vegetarian diet of berries, fruits and vegetables and also meat.

Bobcats are dangerous especially when cornered. A hunter doesn’t send his dogs after a Bobcat. They run away and the dogs chase them. The Bobcat stops suddenly flips over on his back and rakes the belly of the dog as it passes overhead spilling its entrails and ending its life.

I can relate to a lot of these attributes. Does one’s Spirit/Medicine Animal change over life? I don’t know. I know different cultures can describe a spirit animal in different ways.
In Hawaii, (I forget the Hawaiian name) translated I was given the name of the “Turtle who walks the Path up the Mountain As a Child and Carries a Wound”. I wish I still had the Hawaiian name. I may find it one day.

I write this to you as to think more of your Spirit Animals and their meanings. What does it mean that you are a Cougar (Otorongo)? What do you do, not on a superficial level, but more as your deeper soul purpose?
And Bini, why is she a Phoenix? What does her soul do that brings that out?

Some of the descriptions of what I see are superficial habits of some of the characters maybe there is a deeper soul purpose of which the description mentioned is a symptom or a hobby.

Nedyalka makes sense as her being the grandma as the Tortoise in many cultures is the bedrock on which the world grows.

Wenzi, what deeper purpose could be represented by him loving postage stamps? A communicator?

Stefan, reading a newspaper. What is a deeper soul purpose? A connection with history? A keeper of ancestral knowledge?

So, this is what I’m looking at. This may be out of alignment with what you want but just sharing my ideas.

Does this make sense?

 

June 15, 2024

Painting Size with Scooby

Based on our conversation this morning (I realize we’ve talked about this before but getting it out of my head and seeing it helps). This is close enough for me to continue, to visualize what we’re doing. I am going to do a small painting with the tree I sketched to get more of a feel of what I’ve got here. Maybe with Scooby.
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June 12, 2024

Update 2024 -06-12

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Aloha Vince,
I hope things are going well in Bulgaria and you are having a great time with your family. This is an update for you on what I’ve been working on.

When I work on paintings, they are integral to my healing path. Sometimes when the paintings resolve themselves they paint me, heal me.

This has been a lot of work to figure out how to present the painting. I’ve looked at it from many different angles and added a new angle yesterday. I took some mushrooms yesterday and did a deep dive into the process. What came up for me is that I have been so wrapped up in figuring it out that I left my feelings, my heart out. And that’s important.

As I was working on the tree (endless iterations) one drawing the Tree became feminine, curvy with her hip thrust out to the side. I wrapped the aya vine around the trunk in a sensual way which became the arm of her lover. A dark bump on the opposite side became the head of her lover. How can I leave love, connection out of anything related to your family? I can’t. It wouldn’t be authentic to you or the painting. 
That has been the missing element in a lot of my art work for too long. (see image below) Sketches with border around them are to the aspect ratio of 64 to 89 1.39 to show location of the tree in composition.

1. So, in regards to my comment last week, questioning the horizontal to vertical composition, I’ve been working to place the size and location of the Tree. To fit everything in (or most everything) from your list, the tree becomes a vertical ‘skinny’ tree, not wide like the ones you’ve sent me. This is a puzzle to me depending on what the importance, the focus to be.

2. It then becomes necessary to scale the tree down so that I can show the composition across the top with the sky and the ocean and the volcano in the background. As your family seems to travel a lot, maybe  add some polynesian boats sailing in the distance with  a pod of whales. This takes the painting from ancient history through to the future.

There is a small jungle waterfall to the bottom left. There are ayahuasca blossoms in the bottom right corner.

3. I’d like to recommend a few things:

  1. To do the sky as a galactic/nebula background and not a regular sky. This would give the ‘rainbow’ an amorphous shape like the Orion Nebula The Veil Nebula or this galaxy spreading across the sky area. The sun then becomes a star and could also have a rainbow halo around it
  2. Then the 17 characters have descendants disappearing into the distance (all in the sketch represented as circles) showing a long life of your lineage past the present. 
  3. I would like to do the 17 characters not as a full body shot but have close up shots cropping in, concentrating on an element of what their trade, their business is. There can be so much added to a separate art book giving a detailed history/story of these characters are, even in a fairy story.
FamilyLocations01
Right click image to see full size image in new tab.

Right click image to see full size image in new tab.

June 10, 2024

Specifications

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Painting Landscape

The dimensions I am looking at are 64×89 at this time are

  • In the center, a tree of life, everything revolves around it, lush with jungle life
  • The tree of life is in beautiful jungle with waterfalls and the sun and moon (depending on day or night) next to it
  • Ocean in the far background with the waterfalls flowing into it, a volcano, covered with snow (this signifies most of the Earth environments, from warm to cold, from water to ice)
  • Rainbow in the top center,
  • a far galaxy in one of the corners representing our place in the universe (maybe you can do something cool with the galaxy as well, similar to the sun and moon turning on and off depending on UV light turned on/off
  •  The tree itself has a lot of aya-related pattern as complex detail, similar from the Shipibo tribe 
  • The older spirit animals start from the lower part of the picture with the younger spirit animals going up, representing evolution, ancestry, collaboration, love, living in harmony
  • Our kids (Liv, Neo and future Aya) are around the top of the picture / tree of life, representing the future, growth, celebration of life
  • Vince and Bini next to each other, with their hands holding on the inner side and opened pointing up on the outer side, embracing their children and giving them love and support so they can start to fly themselves in the skies
  • Ayahuasca vine is going through our hands intertwining them

Spirit Animals of Our Family

  • Bini – Phoenix (female face) (TBD what to do)
  •  Vince – Jaguar (male face) (TBD what to do)
  • Valko (Vince’s dad) – Wolf with the guitar singing
  • Vio (Vince’s mom) – Fox talking on the phone with one hand and holding a golden mini gift with the other
  • Nesi (Bini’s mom) – Octopus multitasking (TBD what to do)
  • Stanimir (Bini’s dad) – Flamingo (TBD what to do)
  • Neo (3 year old son) – Dragon (toothless from how to train your dragon) (TBD what to do)
  • Liv (5 year old daughter) – Lion with wings (TBD what to do)
  • Aya (little girl baby in the making) – little baby in Bini’s womb (TBD what to do)
  • Dobri (Bini’s grandpa) – Yak (TBD what to do)
  • Stefan (Bini’s grandpa) – okapi reading the news paper
  • Vitka (Bini’s grandma) – Hummingbird carrying a tobacco leaves in the beak
  • Gana (Bini’s grandma) – Bear cooking ayahuasca, this is where the vine will originate from to go to our hands
  • Wenzi (Vince’s grandpa) – Peacock showing off his feathers with post stamps under his feet (stepping on a couple)
  • Vyarka (Vince’s grandma) – Owl playing the violin (or holding it)
  • Dimo (Vince’s grandpa) – rhino building a bamboo hut with his front hands
  • Nedyalka (Vince’s grandma) – sea turtle in the water
June 8, 2024

Composition Issues

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Hi Vince and Bini,
I have to move from the word.docx document as I need to approach this painting project not as a monolithic problem to solve but discreet areas “chunks” and sections which together will help move the project to completion.

The compositional areas are the background the mid-ground and the spirit animal portraits.

I will divide these up into separate blog posts which will have areas for response and dialog.

The main constraint on the composition is the vertical (portrait), in terms of composition and also wall space.

Using your rough lines considering the width to be about 64″ and height about 89″, I have to scale the whole painting down as it is to tall for the wall. We can talk more about this.


Rough size using an image for size comparison. 

April 23, 2024

Visual Overtones

A treatise on the multi-frequency artwork of James Elston

The concept of overtones comes from music. Different instruments such as stringed-instruments, wind instruments and percussion do not play a pure note. Instead, when a note is played, different sound frequencies can be heard which give the instrument its character, timbre and color.

Also, communications between people can have overtones. Many years ago when the phone companies were analyzing conversations between people for the purpose of billing, they established that nothing being said, silence actually was communication.

As we go through life we meet many people whether in common family background, in business, in spiritual beliefs, life experiences. When we meet others who have this commonality with ourselves, we have an ease of understanding in the conversations we have with them.

Imagine trying to explain your childhood to someone who grew up differently than you. Some people grow up in foster homes, bouncing around from family to family, no security, with people who didn’t understand their needs. Imagine them trying to explain to a person who grew up in a secure stable home, loving family, their needs met and understood. Since there are no “overtones” of understanding, the conversation goes much slower because meanings of words aren’t shared and understandings sometimes of individual words have to be defined between persons to be able to have a meaningful conversation.

In the beginning, in conversations between people of different backgrounds, speaking the same language – say for example English, can be like two people, one who grew up in a fundamentalist English community talking to another who grew up speaking Tibetan in a Buddhist monastery village. How do they come to a meaningful conversation? How do they even get to the point that they need to develop a common understanding between them?

Here is a great article of physicist Richard Feynman trying to explain magnetism to a BBC interviewer.
Richard Feynman interview about magnetism

How do people share life experiences? How do they share ideas without a common experience, vocabulary? Death? Spirituality? Love? Health? Life Purpose? Business? Finances? Medicine Plant Ceremonies?

After my near death experience (NDE) at age 18 I was presented with a world that was totally different than what I had experienced before that time. I saw things in a ‘new light’. Different frequencies of light “overtones” were impacting how I saw my world. A lot of my life since that time in 1972 has been to expand and grow my understanding of the multi-dimensionality of life.

When you look at my art it changes depending upon the light frequencies you view it. It can be daylight, Ultraviolet light (this changes things quickly), a pure light color frequency, for example like red, blue, green. Not everything is seen in one frame of mind in different light: An experience or artwork viewed in one color frequency, or viewpoint when it can seen in a different color or viewpoint might present new insights and understandings. Where something doesn’t seem complete or maybe a mistake in one way of looking at it (a color, a viewpoint) becomes something different or more complete when seeing it a different way.

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Peru124
March 30, 2022

Sacred Valley of Peru

“After some deep exploring, I found treasures of music and art not hidden but placed visible along the path put there by myself long ago in the hope that I would come this way again with the awareness that I have been this way before

and that these treasures from the deep dark soil of my being are sign posts along the Path back to Self.”
~ James Elston 2017

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James Elston at the Temple of the Moon in Peru 2015. Photo by Matthew Nall
James Elston at the Temple of the Moon in Peru 2015. Photo by Matthew Nall

In 2015 I traveled to the Sacred Valley in Cusco, Peru as a member in a group with Gray Jeffrey and Victoria Bliss. My mission, my intentions were to reconnect with art, not with computers but with pen and paper, paint and canvas and deepen my connection with music. The art you see here on this website started with visions I had after my death experience almost 50 years ago. At that time I had no context to understand what it was that I saw.

As many things in my life have been, Peru was life-changing and life-affirming for me as it is for a lot of people.  The wide open majesty, the pristine raw beauty, the art of the people of the Incan culture who carved their living spaces into and up the slopes of the Andes Mountains. I experienced a foreign culture for the first time. (Well, except for maybe Los Angeles). Traveling with friends and new found friends.

Most photos from Peru are by Matthew Nall. Enjoy!

Peru_244
DrawingPeruV01
PeruSteps
Peru_059
DrawingPeru01
DrawingPeru02
Peru_048
FlutePeru02
Peru_231
James-and-Pasilio-Peru
PeruStreet
PeruDinner

When I got back from Peru I took a Spanish class as I thought I would move to Peru. Well, instead I moved to the Big Island of Hawaii. I did a presentation for that class of the adventure in Spanish with a translation. Peru en Español

April 22, 2018

The Art of Virtual Reality

Virtual Reality is something that has been promised in the world of technology for a long time. In the 1970s and 1980s when I was working in the animation industry in Los Angeles there wasn’t such a thing as a computer animator.

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